[W111.Ebook] PDF Download An Actor's Guide: Your First Year in Hollywood, by Michael St. Nicholas, Lisa Mulcahy

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An Actor's Guide: Your First Year in Hollywood, by Michael St. Nicholas, Lisa Mulcahy

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For every actor beginning a career in Hollywood, this indispensable guide will lay out a clear and comprehensible path with tried-and-true advice. Up-to-date resources and new interviews with recently established actors experiencing the current movieland scene—as well as the timeless voices of established actors and industry pros—make this a rich compendium of Hollywood know-how. Delve into the industry with the support from An Actor’s Guide: Your First Year in Hollywood and discover with confidence how to:

Find work through a variety of sources
Deliver stunning auditions
Join SAG-AFTRA
Get a great headshot and put together a stunning resume
Build your credentials and gain exposure
Hone your craft with professional training and classes
Snag a top-notch agent
Utilize the power of social media

From settling into Los Angeles and sticking to a tight budget, to adventures in reality TV and landing the breakthrough parts you came to Hollywood for, any actor eager to learn will get his or her fair share of insider knowledge with this manual and will discover how to create a positive experience while launching an exciting career.

Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

• Sales Rank: #2489178 in Books
• Published on: 2015-07-14
• Original language: English
• Number of items: 1
• Dimensions: 8.80" h x .90" w x 6.00" l, .0 pounds
• Binding: Paperback
• 316 pages

About the Author
Michael Saint Nicholas contributed his talents to a variety of film, television, commercial, and print projects as a Hollywood actor. He also “picked the brains” of dozens of top entertainment-industry professionals to fill this book with useful insider tips. He lived in Studio City, California.

Lisa Mulcahy is a theater teacher, director, performer, and multimedia writer. Her articles have been published in such magazines as Stage Directions, Teaching Theatre, Marie Claire, Glamour, and Seventeen. The author of Building the Successful Theater Company and Theater Festivals, both published by Allworth Press, she lives in New York City.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great / real overview
By David P. Williams
This gives a real sense of what you have to do, give, sacrifice and be to make it as an actor.
One word - vocation. this is not a part time gig - you have to live the life. The biggest theme - you commit and improve, like a musician -- you practice the craft every day.

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[X416.Ebook] Download Ebook Basic Perspective Drawing: A Visual Approach, by John Montague

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Basic Perspective Drawing: A Visual Approach, by John Montague

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The best-selling guide…now completely updated to include online tutorials!

Basic Perspective Drawing introduces students, both those in formal design courses and self-learners, to the basic principles and techniques of perspective drawing. Clear and accessible illustrations show how to construct perspective views one step at a time. The new, streamlined Sixth Edition contains must-have content for students and instructors in art and design, architecture, and interior design programs. Updated illustrations reflect the most current drawing styles and examples while supplementary tutorial videos, grouped by architectural disciplines, interior design, and studio art/illustration, provide live-action demonstrations of key topics discussed in the book.

• Sales Rank: #143429 in Books
• Published on: 2013-01-29
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .74" w x 8.50" l, 1.74 pounds
• Binding: Paperback
• 288 pages

Amazon.com Review
Four Stages of An Interior Perspective Drawing [Click Images to Enlarge] Stage 1

Stage 2

Stage 3 Stage 4

From the Back Cover

Master the art of perspective drawing with an updated edition of this bestselling guide

Basic Perspective Drawing, Sixth Edition gives artists, illustrators, designers, and architects an accessible guide for developing a firm and thorough grasp of the important principles and techniques for perspective drawing. Logically moving from simple concepts to specific tools and methods, the book provides clear step-by-step illustrations on how to construct perspective views with graphic examples covering every part of the process.

With the same attractive, easy-to-follow style that made previous editions so popular, the new, streamlined Sixth Edition contains must-have content for students and instructors in art and design, architecture, and interior design programs. Illustrations are updated to reflect the most current drawing styles and examples, and supplementary tutorial videos provide live-action demonstrations of some of the key topics discussed in the book.

About the Author

John Montague, PhD, is Professor Emeritus of Design and Technology at Buffalo State College in Buffalo, New York.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Skews More Towards Architectural Drawing But Useful for Fine Artists
By frankp93
I studied technical drawing in high school and early on considered architecture as a career. While I'm familiar with many of the concepts and techniques in `Basic Perspective Drawing' my interest in the subject these days definitely leans more towards fine art. The book I learned the most from was Perspective In Art by Michael Woods back in the 80's; more recently I enjoyed Freehand Perspective and Sketching by Dora Miriam Norton (a Dover reprint of a work first published in 1908).

Both titles addressed the reader as a fellow artist, someone interested in traditional representational drawing and painting. The geometry was kept to a minimum, with an emphasis on the visual rather than the calculated abstract. The illustrations appeared largely hand-drawn: landscapes, buildings, still life, and portraiture - the standard subject matter of a mainstream art education.

`Basic Perspective Drawing' presents certain elements in a similar way, but overall has a very different point of view. It addresses the architectural and commercial draftsman and designer looking to create and illustrate elevations, interiors, and other modeled structures, populated by people, flora, and various mechanical objects.

That's not to say a fine artist won't find much of value in here: the opening discussion on Cone of Vision was fascinating and something I've not seen covered in other art-oriented books. These days drawing and painting use a visual language that's far more flexible, less-representational, and influenced by technology than it was 100 years ago. Illustrative techniques such as paraline drawing covered here have effectively be applied to art drawing and painting.

Overall there is more of an emphasis on the geometry in 'Basic Perspective Drawing': angles, directional and horizon lines, and surface projections, more than in more art-oriented books. But it's nothing to shy away from if math isn't a strong point.

The appearance of some of the subject matter: the blocking in of human figures, shadow formulas and interior grid surfaces clearly point toward commercial art, but there are sections on freehand drawing with examples that look more like what you'd expect to see in art-oriented books.

The layout clearly feels like a textbook - down to the suggested lesson plan in the appendix - and many of the illustrations have a precision that can be off-putting to those who find expression and emotion in the random play of line and shading. But again, the information is solid, the writing very clear and not excessively verbose or technical, and the book has a comfortable size (about 11 x 8 � landscape-oriented) that`s easy to browse and keep open on a desk.

I guess it's only fitting to say about a book on perspective that it comes down to your point of view:

If you want an in-depth discussion that doesn't avoid the numbers and you're comfortable with an orientation towards commercial art and architecture, you'll enjoy `Basic Perspective Drawing'. On the other hand if you want to see more illustrations of perspective techniques in historical paintings and art drawings, there are other titles out there that may better suit you.

6 of 6 people found the following review helpful.
Fascinating in more ways than one
By Aaron Silverman
My drawing skills are nonexistent, although I am interested in art and in physics. My wife is an interior designer and is skilled at architectural drafting (and at artistic drawing and sketching, for that matter). We're both fascinated by this book. For me, it helps me to understand what I'm looking at when I view art or architectural drawings. For her, it's a practical guide for enhancing drafting skills.

It uses a great combination of text and images to get its points across. Too much text would be a slog, while simple illustrations wouldn't provide enough guidance, and this book strikes a perfect balance between the two.

A lot of people buy this book because it's required for a class, but it has value for anyone interested in its topic. It's not simply a textbook.

8 of 9 people found the following review helpful.
Not kidding when they say a visual approach
By DelusionalAngel
When they say this book takes a visual approach, they mean it. This book is image heavy, which in my mind is a big yay. I've seen some art reference / tutorial type of books that are 90% text and that just annoys me. If ever there is a subject where you want more images to help you out, it's art reference. In fact the only reason I can't give this 5 stars is because the book seems to have taken the visual approach to the other extreme, giving a few lines of explanations of what can be complicated layouts. I'm all for dumbing things down (yes please!) but in trying to shorten things down so much, some things actually end up sounding maybe even more complicated than they are and then while you're sitting there scratching your head over what in the heck they're saying, well, it's sort of like did you get that, let's move on to the next part. That, however, is where the visual aspect saves it. It does do the visual aspect very well. The Appendix especially, which has no text, is very useful showing a image breakdown (usually 4 or more "step by step" examples of a picture as it is being drawn).

For people, like me, who find that perception is the greatest enemy when drawing, this is a useful tool. Not quite perfect but definitely a good starting point.

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[L270.Ebook] Download To the Sea, by Cale Atkinson

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To the Sea, by Cale Atkinson

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Sometimes Tim feels invisible at school—until one day, when Tim meets Sam. But Sam isn't just any new friend: he's a blue whale, and he can't find his way home!

Returning Sam to the sea is hard work, but Tim is determined to help. After all, it's not every day you meet a new friend!

This picture book about the power of friendship by new talent Cale Atkinson is brought to life by charming, dynamic illustrations.

• Sales Rank: #350445 in Books
• Brand: Atkinson, Cale
• Published on: 2015-06-02
• Released on: 2015-06-02
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x .38" w x 8.88" l, .0 pounds
• Binding: Hardcover
• 48 pages

From School Library Journal
PreS-Gr 2—Tim is on his way home from school one rainy, dark day when he meets Sam, a big blue whale who made a wrong turn and got stuck in his neighborhood. It's very dark, and the other kids in the neighborhood can't see Sam. Indeed, he is virtually hidden on the pages, deep sea green against a dark blue-black background. Sam is metaphorically a fish out of water, and so is Tim. Sometimes the boy feels like no one notices him. But seeing each other, "they both felt better knowing they weren't invisible," and they become friends. Tim brings Sam some water and promises to help him get back to the sea. It takes lots of planning, but Tim is determined to help because "friends don't let friends down." After reviewing the plans together, they decide to use Tim's bike to tug Sam back to the ocean. It was hard work, but Tim "should not…could not…would not let his friend down." Ultimately, Tim is successful, splashing and crashing deep into the ocean. Sam is nowhere to be seen, but only for a moment. He returns to Tim, now safe on a buoy, and delivers a friendly kiss because "friends don't let friends down." In the last scene, there is a pictorial hint that Tim will be making a new (human) friend as he comes ashore. In addition, the mood of the illustrations changes from dark and moody to sunshine bright. The cartoonlike pictures are rendered in acrylics with digital enhancement, primarily in dark greens and oranges until the final panels. VERDICT An unusual and appealing story about friendship, though better suited for larger collections.—Roxanne Burg, Orange County Public Library, CA

Review
Tim finds a whale beached on a street adjacent to his school and vows to help his new friend get back to the sea. The amorphous, sluglike whale, Sam, is simply stuck and as shockingly invisible to others as Tim is. The whale's hugeness captures the heft and burden of Tim's own inexplicable loneliness. Readers first see Tim standing alone in pouring rain, his face obscured by a dripping hoodie and his need for a friend plain. Sam's massive body, a murky emerald green, often entirely fills the page, making him difficult to discern. His round eyes, however, deliver remarkably acute information about his worry and salty homesickness. Tim's earnest promise to get Sam back to the ocean brightens this book of dark double-page spreads, done in deep blues and greens from the very bottom of the sea. Beaming tangerines highlight all the words and people in this friendship tale, buoying every inky illustration. Children will cheer as Tim ties Sam to a rope behind his bike and pulls and pedals and huffs and puffs him all the way to a seaside cliff...and over! A whale's tale that dives deep and surfaces with useful lessons about making, keeping, and helping friends. (Picture book. 2-6) Kirkus"

About the Author

Cale Atkinson wanted to be a whale when he grew up, but chose to be an artist and animator once he realized it was impossible. This is his first book. Visit Cale online at www.cale.ca or on Twitter @2dCale.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Delightful look at friendship and loyalty.
By Celeste Pewter
I love books that help emphasize the importance of friendship at an early age, so it's probably unsurprising that I absolutely fell head over heels for the utterly delightful To the Sea.

Debut author Cale Atkinson introduces us to Tim, a young boy who happens to meet Sam, a whale who has lost his way. As Tim and Sam figure out how to get Sam back to the sea, Atkinson shows how friendships are formed, and how their trust in each other that helps them do extraordinary things.

Atkinson tells a lovely story in very few words, using short, cheerful sentences to emphasize Tim's initial loneliness, and his utter joy in meeting Sam, a kindered spirit. Their mutual realization that they truly see each other is heartwarming, and a great reminder on how having a friend who truly understands you, can inspire great ideas and even greater adventures.

Atkinson's storytelling is beautifully accentuated by his bold and detailed illustrations. The bright tangerine tones help dually emphasize Tim's optimistic personality, and also help brings warmth to Tim and Sam's friendship. Atkinson also makes great use of double-page spreads, helping to emphasize Sam's size, and the magnificient scope of Tim and Sam's time together.

Of special note: As author Caryn Caldwell points out in her review, younger readers may be alarmed by an almost-drowning scene in the final pages of the book. Adults should be aware, and also feel ready to talk about the scene.

1 of 1 people found the following review helpful.
Sweet and charming.
By J.Prather
To the Sea is a sweet, sweet story that will melt the heart. The illustrations are charming and innovative, lending even more power to a tale that delivers an important message on the nature of true friendship and the perils of being invisible. This enchanting picture book utilizes a firm sense of whimsy to explore a real world problem When young Tim meets Sam, they quickly discover that they sure the common feeling that they are invisible, which is pretty funny since Sam is a big blue whale. Tim and Sam form an unlikely friendship, which causes them both to realize that they are no longer invisible. Tim's efforts to return Sam to the sea brings out the book's major theme: "friends don't let friends down." Friends are never invisible to each other.

The innovative illustrations are captivating, with a unique color palette that evokes the deep blues and greens of the sea. The offsetting orange text, and orange depictions of the "real world" are startling and effective. Sam's bright orange coat is anything but invisible in the wide expanse of the blue-green sea. My only concern about this beautiful package is that some of the spreads are very dark,and it's sometimes difficult to discern Sam. It's a wonderful idea to make the big blue whale the most difficult to see, but I worry that in group sharing, kids won't be able to discern his giant sized charm. Still, I think it's always easy to see the power of friendship, and that's the most affecting part of this journey To the Sea.

1 of 1 people found the following review helpful.
A nice message about appreciating one's friends
By Caryn
Tim feels invisible until he finds a whale washed up on shore. When he and the whale are the only ones to notice each other, they form a friendship. But Tim knows that whales belong in the ocean, and he's determined to save his friend -- even if the dangerous plan he comes up with puts Tim himself at risk.

This is a lovely story with strong, bold illustrations, a hopeful ending, and a nice message about appreciating one's friends. Some children may find the scene where Tim nearly drowns a little distressing, so adult guidance might be helpful.

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